Friday, January 31, 2003
Friday 31/01/03 by Chan McCoy
Thursday, January 30, 2003
Thursday 30/01/03 by Dave Leggatt
Wednesday, January 29, 2003
Wednesday 29/01/03 by Dave Leggatt
Tuesday, January 28, 2003
Tuesday 28/01/03 by Chan McCoy
Monday, January 27, 2003
Monday 27/01/03 by Pattama "Nai" Chalrunchida
Sunday, January 26, 2003
Sunday 26/01/03 by Phil Newton
Saturday, January 25, 2003
Saturday 25/01/03 by Dave Leggatt
Friday, January 24, 2003
Friday 24/01/03 by Phil Newton
Thursday, January 23, 2003
Thursday 23/01/03 by Sean Bunzick
Wednesday, January 22, 2003
Wednesday 22/01/03 by Dave Leggatt
Tuesday, January 21, 2003
Tuesday 21/01/03 by Dave Leggatt
Monday, January 20, 2003
Monday 20/01/03 by Dave Leggatt
Sunday, January 19, 2003
Sunday 19/01/03 by Dave Leggatt
Saturday, January 18, 2003
Saturday 18/01/03 by Unknown Scottish Bloke
Friday, January 17, 2003
Thursday, January 16, 2003
Thursday 16/01/03 by Debbie Page
Wednesday, January 15, 2003
Wednesday 15/01/03 by Dominic Plucknett
Tuesday, January 14, 2003
Tuesday 14/01/03 by Bev Parke
Monday, January 13, 2003
Monday 13/01/03 by Dominic Plucknett
Sunday, January 12, 2003
Sunday 12/01/03 by Phil Newton
Saturday, January 11, 2003
Saturday 11/01/03 by Steve Bennett
Friday, January 10, 2003
Friday 10/01/03 by Gary Jackman
Thursday, January 09, 2003
Thursday 09/01/03 by Debbie Page
Wednesday, January 08, 2003
Wednesday 08/01/03 by Bev Parke
Tuesday, January 07, 2003
Tuesday 07/01/03 by Steve Cotton
Monday, January 06, 2003
Sunday, January 05, 2003
Sunday 05/01/03 by Chrissy Huffman
Saturday, January 04, 2003
Friday, January 03, 2003
Friday 03/01/03 by Jim Turner
Thursday, January 02, 2003
Thursday 02/01/03 by Maureen
Wednesday, January 01, 2003
Wednesday 01/01/03 by Phil Newton
Three
Three was part of Brighton Festival Fringe 1 - 23 May 2004.
"A unique picture diary" - The Argus
Intro
This all started back in December 2002 when I was sat at work having a conversation about modern art with Jim. We argued that pretty much anything can be considered art nowadays, so long as you're able to bullshit enough about it. This got me thinking. I'd long hardboured ideas of doing a photography based project but didn't know quite where to begin. I'd seen the movie Smoke years earlier in which Harvey Keitel's character takes the same picture outside his shop at the same time every morning. This quirky idea had lodged in my brain ever since. With a new year fast approaching this seemed the ideal opportunity to start such a project, as I liked the idea of working on something for an entire year. It was time to define some rules.
There was just no way that I was going to be in the same place at the same time every day, so I needed to think of something different. I liked the idea of having these photographs at the same time every day, but soon decided if it was only me snapping away in my own little world then it wouldn't really add up to anything at all. I needed another constant - me. By putting myself into each photograph I would be documenting a whole year in my life, and by allowing the people around me to take these pictures there would be scope for many different interpretations - or so I hoped. The time of 3pm was chosen as this was a fairly sensible time of day to work with - too early and I might be asleep, too late and I knew I'd encounter too many problems. Plus, in the middle of the afternoon I'd more often than not be stuck at work. What better way to capture the year in the life of my workplace at the same time? So with the blessing of my boss I was ready to go.
The equipment I used was a Fuji Fotonex 200 APS camera which I've owned for many years now. I wanted to prove that you can do something like this very cheaply, so there was absolutely no point in splashing out on a brand new camera, especially with there being no guarantees that I'd even complete the project. Developing too was done as cheaply as possible, using mail order companies - until Truprint ruined that idea - and later, local high street retailers. The picture quality was never of paramount importance, for this project the idea itself was king.
The Rules
1. All photographs should be 6 x 4 horizontal shots.
2. All photographs should include me somewhere in them.
3. All photographs should be taken at 3pm.
Credits
Special thanks to the following:
Chris Collier at Nomark Ltd
Andrew Southon Photography
Brighton Dome Box Office
Holly Payton at Brighton Festival Fringe
Frankie Taggart at The Argus
And a BIG thank you to all the friends, colleagues and complete strangers who took photographs for me.